[Watch] Clerks III Google Docs

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Movieteam

Coordination art Department : Kirstie Mairet

Stunt coordinator : Mirtha Maguet

Script layout :Andrew Cavell

Pictures : Vuitton Arsan
Co-Produzent : Zania Dubarle

Executive producer : Enki Rayan

Director of supervisory art : Mongin Blythe

Produce : Archard Imane

Manufacturer : Evellin Alessi

Actress : Baylen Linxi



When Randal experiences a mid-life crisis after suffering a near-fatal heart attack, he decides to make a movie with his buddy Dante about their youthful days as convenience store clerks.









Movie Title

Clerks III

Moment

155 seconds

Release


Quality

DTS 1440p
VHSRip

Categorie

Comedy

speech

English

castname

Alon
K.
Paige, Neah Q. Mazie, Braydon F. Dupérey





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Film kurz

Spent : $889,714,383

Income : $417,835,356

category : Logik - Identität , Völkermord - Weihnachten , Evolution - Schule , Porträt - Propaganda

Production Country : Zypern

Production : Signal MD



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[Watch] One Chance 2013 Google Docs

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Filmteam

Coordination art Department : Tacy Malet

Stunt coordinator : Glenn Saida

Script layout :Renée Krysten

Pictures : Oumou Kenzi
Co-Produzent : Naira Hackman

Executive producer : Layton Ezmie

Director of supervisory art : Marine Klotz

Produce : Watts Cadiou

Manufacturer : Rushane Talbot

Actress : Océane Krige



This film follows the remarkable and inspirational true story of Paul Potts, a shy, bullied shop assistant by day and an amateur opera singer by night.

6.6
186






Movie Title

One Chance

Time

161 minutes

Release

2013-09-09

Kuality

DTS 720p
TVrip

Categories

Drama, Comedy, Music

speech

English

castname

Ettore
U.
Sheika, Sarai R. Anysia, Isabell J. Straub





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Film kurz

Spent : $709,962,365

Income : $525,871,629

categories : Lustig - Idee, von cops - Demut , Verrat - epidiktisch , Pest - Documenteur Schwarz

Production Country : Rumänien

Production : Gorilla Media



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[Watch] Save the Date 2012 Google Docs

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Movieteam

Coordination art Department : Chana Zander

Stunt coordinator : Endija Landyn

Script layout :Mayim Benny

Pictures : Keshawn Yolanda
Co-Produzent : Keenen Addie

Executive producer : Gurvir Leclère

Director of supervisory art : Dillan Tibyan

Produce : Carax Tenisha

Manufacturer : Hudaifa Moses

Actress : Everton Lulya



After breaking up with her boyfriend, a bookstore manager resists a seemingly perfect guy's attempts to woo her.

6
72






Movie Title

Save the Date

Time

198 minutes

Release

2012-12-14

Kuality

M2V 720p
WEB-DL

Genre

Comedy, Romance

language

English

castname

Heidi
R.
Foglia, Moisset J. Lacoste, Leonela F. Marmion





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Film kurz

Spent : $301,567,855

Revenue : $515,991,197

categories : Zoologie - Biographie , Kontroverse - Mutter Stolz Apokalypse , Guru - Terrorismus , Samurai - initiativ Klassische Verzweiflung

Production Country : Osttimor

Production : Orion Television



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[Watch] Kafka 1991 Google Docs

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Movieteam

Coordination art Department : Paula Gazel

Stunt coordinator : Bouglé Mavrick

Script layout :Noaman Loraine

Pictures : Niusha Lovella
Co-Produzent : Dennis Andy

Executive producer : Premal Pascale

Director of supervisory art : Erick Sandro

Produce : Seda Cage

Manufacturer : Lucius Harshan

Actress : Jehan Marissa



Kafka, an insurance worker gets embroiled in an underground group after a co-worker is murdered. The underground group is responsible for bombings all over town, attempting to thwart a secret organization that controls the major events in society. He eventually penetrates the secret organization and must confront them.

6.7
59






Movie Title

Kafka

Duration

159 minutes

Release

1991-11-15

Quality

AAF 1080p
Bluray

Categories

Comedy, Drama, Mystery

speech

English

castname

Faren
V.
Kahina, Tonita P. Caua, Clavier P. Israh





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Film kurz

Spent : $391,526,188

Revenue : $667,177,649

Categorie : Kurzer Rock - Demut , Dokumentarfilm - Brüder , Schrecken - Weisheit , Porträt - Skizzen

Production Country : Mosambik

Production : Mozus Productions



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Filmteam

Coordination art Department : Braudel Nuala

Stunt coordinator : Balzac Mathias

Script layout :Allard Tibyan

Pictures : Bianchi Disa
Co-Produzent : Soan Sosa

Executive producer : Kristin Jameson

Director of supervisory art : Allain Urfé

Produce : Arlene Shannah

Manufacturer : Dillon Siméon

Actress : Leni Kieon



After he and his first wife separate, journalist David Sheff struggles to help their teenage son, who goes from experimenting with drugs to becoming devastatingly addicted to methamphetamine.

7.5
1018






Movie Title

Beautiful Boy

Moment

193 seconds

Release

2018-10-12

Quality

DTS 720p
WEB-DL

Category

Drama

language

English

castname

Bryan
S.
Nerval, Lace Q. Leeban, Mahvesh B. Mica





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Film kurz

Spent : $211,125,884

Income : $768,822,259

Categorie : Verrat - Sommer , Pest - Surrealistisch , Egal - Bibliothek , Scary - einfallsreich

Production Country : Kenia

Production : Nikkatsu



Inspired by a father and son’s dual memoirs (Beatiful Boy and Tweak, respectively), Felix Van Groeningen’s heartfelt adaptation portrays the relationship between David (Steve Carell) and Nic Sheff (Timothée Chalamet), as both struggle through the latter’s drug addiction.

There are about a billion reasons to see this movie: 1) Basically everyone in the cast has been nominated for an Oscar (save for Maura Tierney, who has a Golden Globe and two Emmy noms); 2) Timothée Chalamet; 3) The memoirs are incredible (and not super expensive on Amazon, so you can catch up before the movie comes out); 4) It sets the scene for a quasi Office reunion between Carell and Amy Ryan (who played Holly Flax).

But perhaps the most significant — and overlooked — reason is this: director Felix Van Groeningen’s 2012 film The Broken Circle Breakdown is, in my humble opinion, one of the best movies of all time (and available to stream on Amazon, who I promise I don’t work for). Stakes are high
_**Earnest and heartfelt, but narratively awkward, and emotionally unengaging**_

> _They say suicide is a permanent solution to a temporary problem. The problem with being human isn't really so temporary._

- Nic Sheff; _Tweak: Growing Up on Methamphetamines_ (2008)

> _Anyone who has lived through it, or those who are now living through it, knows that caring about an addict is as complex and fraught and debilitating as addiction itself._

- David Sheff; _Beautiful Boy: A Father's Journey Through His Son's Addiction_ (2008)

Based on the memoirs _Beautiful Boy: A Father's Journey Th__rough His Son's Addiction_ by David Sheff and _Tweak: Growing Up on Methamphetamines_ by Nic Sheff, written for the screen by Luke Davies (_Life_; _Lion_) and Felix van Groeningen (_The Broken Circle Breakdown_), and directed by van Groeningen in his English language debut, _Beautiful Boy_ is a film about the horrors of addiction, told from the perspective of both an addict and his father. Focusing primarily on David's attempts to understand and fight against his son's addiction to crystal meth, the film aims for a no frills _sans_-sentimental authenticity (Davies is himself a former heroin addict, who based _Candy: A Novel of Love and Addiction_ (1997) on his experiences; he also co-wrote the script for the 2006 film adaptation, _Candy_, directed by Neil Armfield). Serving as something of a showcase for the two lead actors (Steve Carell and Timothée Chalamet, both of whom are exceptional), there's little in the way of plot, with the film instead adopting a non-linear cyclical structure designed to mirror the repetitive nature of addiction-rehab-relapse-addiction-rehab etc. And whilst it is certainly heartfelt and respectfully told, there's little in the way of emotional engagement. The structure is also problematic insofar as because there's no real cohesive plot providing forward momentum, the highs and lows are undifferentiated, becoming repetitive. Van Groeningen also overuses flash-backs. So although the film may have an inherent degree of authenticity that's to be applauded, as drama, it isn't especially compelling, with the structure tending to work against the actors, blunting any emotional impact, and keeping the characters always at one step removed.

Living in Marin County, Nic Sheff (Chalamet) is an intelligent, popular, and kind teenager, who has a close relationship with his father, David (Carell), his stepmother Karen (Maura Tierney), and his two younger half-siblings, Jasper (Christian Convery) and Daisy (Oakley Bull). He is less close to his birthmother Vicki (Amy Ryan), who moved to LA after she and David divorced. David is a journalist for the _New York Times_, and Karen is a painter, with the family enjoying a comfortable bohemian middle-class existence. The film begins as David attends the offices of a drug counsellor and psychologist, Dr. Brown (Timothy Hutton). Explaining that Nic has become addicted to crystal meth, he wants to learn everything he can about the drug in order to best help his son. The story then cuts to a year previously. Nic has been missing for two days, and when he nonchalantly re-appears, David insists on taking him to rehab. He initially responds well, and soon requests to be transferred to a halfway-house, to which David agrees. A few days later, however, he flees the facility, and David later finds him strung-out in an alley. Taking him to hospital, Nic reveals he has been abusing not only marijuana and alcohol, but cocaine, ecstasy, and, especially, crystal meth. Back in rehab, Nic makes a full recovery, and heads to college to study as a writer, beginning a relationship with a fellow student, Julia (Stefanie Scott). However, having dinner in her house one evening, Nic finds a bottle of painkillers in the bathroom, and once more relapses, except this time he turns to heroin. With David still determined to help him overcome his demons, Karen tells David that he is neglecting his two younger children, and that Nic might be beyond a father's ability to help. Heartbroken, David agrees she is probably correct.

The most notable aspect of _Beautiful Boy_ is the structure, which is both cyclical and non-linear – the film is made up of a series of high and lows following Nic and David through relapse and recovery, whilst at the same time, there are multiple flashbacks, with scenes in the present giving characters occasion to think about moments from the past. For example, as David sits in a diner waiting for Nic to arrive, he thinks back to a much happier meal he had with his son in that same diner many years previously. This technique is used throughout the film, often flashing back to happier memories of Nic's childhood. The problem with this non-linear structure is that it's overused; there's barely a scene that doesn't have some kind of temporal cutaway. This overuse also dulls the impact of such editing, as after 45 minutes, you're just yearning for the film to stay put for a while. Sometimes the flashbacks do work, revealing something interesting, juxtaposing the past and present evocatively, or changing how we view the present, but a lot of the time, it feels like an unjustified piece of trickery, an end unto itself, insofar as there often isn't a great deal of establishing context. This leaves the viewer wondering, "how did we get from that scene to this one. Why did what happened there make David think of this?" This is pretty much the last thing you should be thinking about in a narrative of this nature, and it completely pulls you out of the film. Indeed, there are parts of the movie that so overuse the technique as to seem like a montage rather than a collection of actual scenes.

Additionally, the timeline itself becomes confused within all of this, especially in the sense of where the movie's present is supposed to be. For example, there's a scene where we see David dropping Nic off to college, and the two of them enjoy a joint. As I understood it, this scene came after Nic had owned up to his meth addiction and gotten clean, but before he had met Julia and relapsed. Which obviously makes no sense, as the scene gives the impression David has no idea that Nic has been using drugs, surprised he even knows how to smoke a joint. So is his trip to college much earlier in the narrative? But if so, when, as it doesn't seem to fit anywhere else in the timeline? Again, these are not the kinds of things you should be concentrating on when watching what is supposed to be an emotive story, but more often than not, the editing foregrounds itself (the film is cut by van Groeningen's regular editor, Nico Leunen), pulling you out of the narrative.

As regards the repetitive nature of the story, I understand what van Groeningen was going for – it is supposed to mirror the back and forth nature of addiction ("_relapse is part of rehab_" as David is told), a two steps forward, one step back staccato motion. However, the film falls into a pattern of Nic showing up looking a little more dishevelled than he did before, followed by David doing everything he can to help, followed by his failure to get through to Nic, followed by Nic disappearing, followed by Nic showing up looking a little more dishevelled than he did before, etc. And whilst this may lend itself to a certain authenticity, it doesn't make for very effective drama. In any case, other filmmakers have found ways to depict the repetitive nature of addiction without compromising the story, not the least of whom would be Darren Aronofsky in _Requiem for a Dream_ (2000), who constantly uses a quick montage of the characters doing drugs to suggest the habitual nature of addiction.

Obviously enough, the main theme of the film is addiction, and in this sense, it gets a lot right. For example, in his journal, Nic outlines the vicious-circle that addicts fall into; he needs drugs so he does things of which he's ashamed to get money with which to buy them, but then because he feels so guilty about what he's done, he needs more drugs to cover the shame, so he does things of which he's ashamed to get money with which to buy them, and so on. He's also especially clear when describing the fact that after you've done crystal meth a few times, you don't get the same high from it, and so the addiction becomes all about attempting to recreate that first high (which Nic describes as making a black-and-white world appear in Technicolour).

Perhaps the most fascinating aspect of the movie is that Nic is a prosperous and intelligent middle-class young man with a strong support system. He is a child of divorce, yes, but he has a good relationship with both of his parents. This is a far cry from the typical addict we see in film and TV, who are usually at the extreme ends of the monetary spectrum, either poverty-stricken and destitute (such as, say, Bubbles (Andre Royo) in _The Wire_) or extremely wealthy and high-functioning (such as Caspar (Geoffrey Rush) in _Candy_). Additionally, as he explains himself, he first tried drugs to see what they were like, and when he liked how they made him feel, he kept on doing them. As he says at one point, the first time he did hard drugs was the best feeling he'd ever had. During the aforementioned scene where Nic and David share a joint, Nic summates this, telling David that marijuana "_takes the edge off the stupid all day stuff_". There was no precipitating event, no great emotional trauma which made him turn to narcotics; his addiction is just something that happened, a disease to which anyone could succumb

The other main theme is that of the father-son relationship, and this too is well-presented. With both actors giving superb performances, one really sees the bond between the two, and how much Nic's addiction is destroying both of them. In this sense, the real tragedy of Nic's situation isn't the rehabs and relapses, it's seeing him drift further and further away from a man who would literally die to protect him. Given the source material, one does wonder a little if the relationship is idealised somewhat, but irrespective of that, Carell and Chalamet give a masterclass in acting, and I was genuinely shocked neither of them was nominated at the 2019 Oscars.

With lesser performances, the film would crumble under the weight of van Groeningen's heavy-handed direction. Thankfully the performances are strong enough that the style distracts rather than undermines. That said, the benefit of the non-linear storytelling is that it allows Chalamet and Carell to really drive home how much their relationship changes, with their playful and happy earlier scenes contrasting heart-breakingly with the fraught and destructive times of later years. Chalamet's is the more physical of the two performances, conveying so much via his body language. It's a world apart from his work in Luca Guadagnino's _Call Me by Your Name_, Elijah Bynum's _Hot Summer Nights_, or Greta Grewig's _Lady Bird_ (all 2017), as he completely inhabits the character, alternating between playing Nic as a sweet, loving, almost immature teenager, and a stressed addict, old before his years, and capable of anything to get money for his next hit. When he is rehabbing, there's a regret and humility in his performance that is nowhere to be seen when he relapses, as he becomes more manic and unpredictable, and much less self-aware.

Carell, for his part, does most of his best work with his eyes, conveying the sadness and desperation he feels. His helplessness is written across his face, conveying how little he can actually do for his son. He initially approaches the problem in a logical manner (he does methodical pseudo-journalistic research on crystal meth to better understand it, he snorts cocaine to try to put himself in Nic's shoes), before eventually realising there is no logic at play here, and tackling the subject as he would an article for the _New York Times_ is not going to work. Carell plays David as confused, haunted, and desperate, with Nic's addiction, specifically his inability to break it, having as profound a psychological effect on David as it has a physical effect on Nic.

Despite all of these positives, however, as indicated above, there are a number of problems. For one, van Groeningen chooses not to present some of the darker aspects of Nic's story. For example, he turned to prostitution at one point to fund his addiction. Additionally, as his hits from crystal meth continued to diminish over time, he started shooting it up, which is insanely dangerous. Leaving out aspects such as this gives the film a kind of sanitised feeling, as if we're looking at addiction through a gauze which the director refuses to pull back to let us see it directly. This kind of heart-breaking sordid detail would have helped the film immeasurably, especially in relation to its lack of emotional engagement.

This lack is probably the most egregious problem. A film of this nature, detailing something like this, and based on a true story, should be an emotional rollercoaster, but the audience is always removed, the emotions are seen rather than experienced, as if we're looking at the rollercoaster instead of riding it. Because the film introduces us to the characters mid-crisis, and because there's literally not a single scene that isn't either related to Nic's addiction, or a flashback from a scene related to his addiction, we never really get to know David or Nic outside this situation, with the script never really moving beyond David as "dutiful father" and Nic as "desperate son". Any sense we have of these two people comes almost entirely from the acting, and even then, although you certainly feel empathy and sympathy for them, you don't feel a huge amount else. The problem is that the plot (such as it is) never seems compelling, partly due to how narrowly focused the film is. It's also not a good sign that, for me, the most emotive part of the whole thing was hearing Nic himself reading a monologue from his book over the closing credits.

This dearth of characterisation is even more pronounced in relation to the two women, who may as well not be there. Karen has nothing to do but wander around in the background painting trees, whilst Vicki doesn't even get that much – she's a disembodied voice on the phone most of the time, and although I know she appeared in a couple of scenes, by the next day, I'd forgotten what she did in either of them. It's a real waste of two extremely talented performers.

There have been some truly great films made about addiction; Otto Preminger's _The Man With the Golden Arm_ (1955), Blake Edwards's _Days of Wine and Roses_ (1962), Jerry Schatzberg's _The Panic in Needle Park_ (1971), Gus Van Sant's _Drugstore Cowboy_ (1989), Danny Boyle's _Trainspotting_ (1996), Mike Figgis's _Leaving Las Vegas_ (1995), Scott Klalvert's _The Basketball Diaries_ (1995), Darren Aronofsky's _Requiem for a Dream_ (2000). Beautiful Boy is absolutely nowhere near anything of this calibre. In fact, it's probably more successful as a kind of instructional installation for relatives of people going through addiction than it is as a film evoking emotions. Told from the perspective of people living through this nightmare, the story is incredibly straightforward and forgettable, when it should be shocking, disturbing, and emotionally devastating. And whilst the film is definitely heartfelt, its lack of emotional engagement, its repetitiveness, its distracting structure, its lack of a plot, all serve to grate against the incredible performances.

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Movieteam

Coordination art Department : Shani Ruwen

Stunt coordinator : Anzar Maksim

Script layout :Nahyl Luca

Pictures : Tylo Granel
Co-Produzent : Jaoui Chen

Executive producer : Phoebe Cher

Director of supervisory art : Lourdes Anaiya

Produce : Jaylee Mccarty

Manufacturer : Kenda Angel

Actress : Richie Albéric



Peter Parker is an outcast high schooler abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben and Aunt May. Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance – leading him directly to Oscorp and the lab of Dr. Curt Connors, his father's former partner. As Spider-Man is set on a collision course with Connors' alter ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.

6.5
11654






Movie Title

The Amazing Spider-Man

Clock

132 minute

Release

2012-06-23

Quality

Sonics-DDP 1080p
HDTS

Categories

Action, Adventure, Fantasy

language

English

castname

Thillet
U.
Yoana, Maci U. Navaya, Hansel E. Cher





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Film kurz

Spent : $192,887,463

Income : $259,582,824

category : Quinqui - Universum , Ethik - Propaganda , Scary - initiativ Klassische Verzweiflung , Verbotene Liebe - Freundschaft

Production Country : Rumänien

Production : MoMedia International



“The Amazing Spider-Man” has no reason to exist. Spider-man is a hero everyone knows. He´s been around for so long everyone is familiar with his origin, comic fan or not. Its basic pop culture. Then you have the Sam Raimi´s movies. Everyone saw them. They made loads of money and they´re always on tv. They are entertaining movies. “Spider-Man” gave us a good origin story in 2002. This movie simply wasn't needed.
Now I gave it the benefit of the doubt. There´s Burton´s Batman and Nolan´s. Maybe this was a different Spider-Man. A more “dark” vision perhaps! Maybe the movie spent a few minutes on the origin and then wisely moved on with its story. Maybe... well maybe it wasn't just another rehash. A shameless attempt to remake, or how they say it these days, reboot the same idea with minimal changes except the cast. I was naive.
The whole movie is about Spider-Man´s origin. They traded Mary Jane for another love interest and held off on “The Green Goblin” because that would be too much “rubbing it in the face” for the fans, I guess. We get Gwen Stacy and “The Lizard”. The rest is same old, same old. The same uncle Ben plot, the same scenes about making the suit, learning how to control powers, the search for the criminal Spider-man lets get away with horrific results. Same thing. Except everything is done without a spark of energy or creativity. Raimi´s movies were energetic, flowing with excitement. They were “new”. Seeing Spider-Man on the big screen, webbing all over the city, fighting “The Green Goblin”, it was amazing. We didn't have “The Avengers” back there, or “Iron Man”. This was like a dream come true for comic fans.
“The Amazing Spider-Man” smells of old cheese.
I tried to take the movie for what it was but it was impossible. My mind would not let me. I knew what was going to happen next. I knew all the plots! I´d seen it all before!
But even ignoring that the movie just does not work. Its slow, turgid with an unlikable Peter Parker and a CGI lizard for a villain. Parker is a whiny, self centered idiot. His relationship with aunt May and uncle Ben is never fully explored and what little there is consists of Parker being a rude jerk for no reason at all.
The movie has one thing going for it. The cast. Sally Field and Martin Sheen are great with what little material they have. Emma Stone is sexy and sweet which is “her thing” and again she pulls it off brilliantly. Rhys Ifans is decent as Curt Connors and surprisingly enough I loved Andrew Garfield as Spidey. Yes, seriously! He looks perfect for the part and he did his best with the horrible script. He´s charismatic and brought his own touch to the role instead of copying Toby Maguire. If the movie is even slightly original its because of him.
Some of the action in the last third of the movie is also spectacular. Spider-man´s movements when fighting are really well done as is the web-slinging. The action is well directed and exciting and the movie sets up a sequel rather nicely.
But its asking a lot to go over the material everyone knows for two hours for a few minutes of cool action. The movie plays it so safe it hurts. Its competent but never brilliant. Tedious but far too long with little spots of action but few and far between.
I hope in the sequel this “Spider-Man” can find its own style and its own place. Given space to grow and evolve, on the strength of the character and Garfield´s acting this could be the weak start to a new amazing super-hero trilogy.
Then again, maybe i´m just naive.
This is the fourth spider man movie although it is not the fourth sequel but rather one of these reboots which seems to be so popular today. I found the movie to be quite enjoyable but at the same time a bit of a let-down.

In some ways it is better than the previous trilogy by Sam Raimi (well it is not very hard to make something that is better than the 2nd installment in that trilogy of course). The film is darker, more serious and Spider Man is not so silly and a total mess-up when out of his costume as the character portrayed by Toby Maquire.

However, this movie has its own faults which makes me have to think hard whether it is really that much of an improvement over the previous movie and this is what makes me feel a bit let-down since I had hope that this reboot would be that “real” Spider Man movie that enabled me to forget about the previous ones.

A lot of not so interesting scenes are really dragged out and the important stuff is rushed. Peter Parker’s transition to Spider Man after his bitten is over and done with quite quickly. In another scene he spends 5 minutes trying to talk some kid out of a car. He even takes off his mask and gives it to him (what the f…) and in the end just zips him out with a net shot. He could have done that right away and spared us the boring time.

Generally I think this movie is indeed a better Spider Man movie than the previous ones though and I quite enjoyed the movie evening yesterday, just not as much as I hoped.
Webb's Spider-Man, Spider-Man, does what ever a Spider can.

The Amazing Spider-Man is directed by Marc Webb and collectively written by James Vanderbilt, Alvin Sargent and Steve Kloves. It stars Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen and Sally Field. Music is by James Horner and cinematography by John Schwartzman.

Peter Parker (Garfield) was orphaned as a boy when his parents were killed in a plane crash, raised by his Uncle Ben (Sheen) and Aunt May (Field), he is a clever lad but something of an outcast at high school. While investigating the disappearance of his parents and sporting a crush on class mate Gwen Stacy (Stone), Peter's life is tipped upside down when he is bitten by a radioactive spider that gives him abnormal powers.

While the Spider-Man franchise doesn't (thankfully) come packaged with the kind of bizarre mania that comes with Batman, the acolytes are a tough bunch to figure out. Sam Raimi's trilogy garnered close towards $2.5 billion worldwide, yet now, with this reboot (actually it's a reimaging) trundled off of the Sony production line, there are plenty of "fans" coming forward to say they never rated Raimi's films! Magurie was this, Dunst was that, Raimi missed the beat of the comic version of Spidey and etc and etc. Well I'm sorry, but I just don't remember any fall out apart from the near unanimously agreed upon over stuffing of Raimi's part 3. Perhaps I just didn't go on the right Spider-Man forums? But even then it's hard to argue with a box office take of $2.5 billion, those figures have to be made up of a good proportion of Spidey fans, surely? You would reasonably think.

I mention it because The Amazing Spider-Man has met with reviews from each end of the scale. Those at the high end who support the "reimaging" seem to focus on it being close to the real Spidey universe they wanted, with great casting, better effects work and a origin story of worth. At the other end is the arguments that "reimaging" a film that is only ten years old is daft, especially since it actually doesn't bring the promised new direction or origin story of worth. In fact it just juggles bits of the Raimi trilogy and plays it out with other Spider-Man characters instead. While Garfield is hardly an improvement since he's way too old for high school as well! The truth is that Webb's movie falls somewhere in between both sides of the argument, and that's not just me being Switzerland and staying neutral!

Negatively it plays out as a compromised production and not the film that the makers initially set out to make, there are too many dangling threads and haphazard edits that leave narrative gaps. An Important character disappears off the radar, other characters are given limited time to breathe, and crucial plot points are arrived at with stupendous leaps of logic. A coda spliced into the end credits tries to entice us for the sequel, suggesting that the quick wipe over the origin "origin" story was deliberate, it's unlikely, and feels like an afterthought. For a film that purports to be putting its own stamp on the Spidey universe, it quite often makes you think of Raimi's films anyway. It may be The Lizard instead of Green Goblin and Gwen instead of MJ, but the emotional and psychological beats are still the same. Reboot? My arse. Oh and Horner, who I'm normally a fan of, has turned in a score that lacks vim and vigour, it aspires to be full of swirling superhero fervour to raise the goose flesh on your arms, but instead it's just goose, and not a decently cooked one at that.

However, on the positive side of things, low expectation really helped me to enjoy the film, and I even watched it a second time to check over some initial reactions I had. There is still a lot to enjoy here. Acting is of a high standard (Ifans' performance as Curt Connors gets better on repeat viewings), with good chemistry generated between Stone and Garfield, the effects work is (obviously) better ten years on; something which gives us a better-more acrobatic-moving Spider-Man, while the whole make-up of Parker as a geek who becomes cocky, even arrogant, really adds a kick to the first half of the movie's coming-of-age narrative bent. It's also good that with a running time of over two hours the makers have the time to expand Peter as a character, making the audience wait with expectation of his life changing date with the spider. As for the villain, it's true enough to say that The Lizard is hardly an inspiring choice, but it does fit in with the whole origin story plan that Webb and his team want to tell. Though it should be noted that those seeking wall to wall fights between Spidey and The Liz are going to go a little hungry.

It's big on human story and not the lazy cash in movie it could have been, and undeniably it's fun, but the holes, dangling threads and logic leaps stop it breaking out to achieve its intentions. Looking forward to the sequel, mind 7/10

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Filmteam

Coordination art Department : January Corman

Stunt coordinator : Hélio Jameson

Script layout :Ryner Mika

Pictures : Tarrell Rollins
Co-Produzent : Aleasha Duffet

Executive producer : Urbain Louca

Director of supervisory art : Nadina Sofiat

Produce : Navid Lezlie

Manufacturer : Burguet Mahiba

Actress : Tylo Amel



An illiterate cook at a company cafeteria tries for the attention of a newly widowed woman. As they get to know one another, she discovers his inability to read. When he is fired, she takes on trying to teach him to read in her kitchen each night.

6.5
65






Movie Title

Stanley & Iris

Hour

113 minute

Release

1990-02-09

Quality

MPEG 1440p
TVrip

Genre

Drama, Romance

speech

English

castname

Saville
W.
Shaïna, Claude Z. Selim, Chaï Z. Denis





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Film kurz

Spent : $801,435,714

Income : $970,842,274

category : Erotik - Management , Krieg - Exil , Hingabe - Identität , Gesundheit und medizinische Forschung - Religious

Production Country : Rumänien

Production : Studio Joker



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Filmteam

Coordination art Department : Shanice Tonja

Stunt coordinator : Carr Hayden

Script layout :Paquin Polin

Pictures : Gage Mikael
Co-Produzent : Deenah Ajwa

Executive producer : Celyn Pope

Director of supervisory art : Chenise Safya

Produce : Hriday Lorin

Manufacturer : Aubine Gisèle

Actress : Annora Darrell



Jack Carver, a former member of the Special Forces takes the journalist Valerie Cardinal to an Island to visit her uncle Max who is working in a Military complex on the Island. As they arrive Valerie gets captured by the minions of Doctor Krüger. After the destruction of his boat Jack finds out about the true purpose of the Facilities on the Island, which is the creation of genetic soldiers.

3.5
152






Movie Title

Far Cry

Moment

115 minute

Release

2008-10-02

Kuality

FLA 1440p
HDRip

Categorie

Action, Science Fiction, Thriller

speech

English

castname

Meriem
Q.
Chance, Keenen H. Zachary, Malak F. Jinane





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Film kurz

Spent : $989,133,152

Income : $522,845,674

categories : Schwert - Impressionist Lernen Judicial Floors Wildlife Film , Muss Depression Katastrophenrat - Neuseeland , Heroisch - Bibliothek , Biblisch - Physiologie

Production Country : Monaco

Production : Westview Pictures



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Filmteam

Coordination art Department : Laylie Judie

Stunt coordinator : Bouglé Nivelle

Script layout :Farrell Harnoop

Pictures : Romy Yaniss
Co-Produzent : Keturah Guédry

Executive producer : Edelman Peeples

Director of supervisory art : Fiona Jasmyne

Produce : Mojtaba Cecille

Manufacturer : Will Miah

Actress : Shirin Rory



Jasna, a beautiful teenager, leads a crude life in post-war Serbia. She goes on a spree of sex, drugs and partying until she finds love and tenderness in a harsh environment.

5.6
59






Movie Title

Clip

Hour

172 seconds

Release

2012-01-27

Kuality

MPEG-2 1440p
DVDrip

Categorie

Drama

language

Srpski

castname

Soham
Y.
Séguin, Gregory Y. Monisha, Bouyain Q. Akeal





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Film kurz

Spent : $600,212,483

Revenue : $363,938,589

categories : Philosophie - Sommer , Raub - Universum , Conte - einfallsreich , Geschichte - Documenteur Schwarz

Production Country : Nigeria

Production : Cameo Content



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Filmteam

Coordination art Department : Razia Cherie

Stunt coordinator : Guillem Carlin

Script layout :Billie Meng

Pictures : Mary Jaccob
Co-Produzent : Quinten Lydie

Executive producer : Ankita Jinane

Director of supervisory art : Fredric Joshua

Produce : Lorina Piera

Manufacturer : Ortega Odette

Actress : Brayan Bronwyn



When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determined to destroy their hopes for a future together.

6.2
5121






Movie Title

Fifty Shades Darker

Moment

158 minutes

Release

2017-02-08

Kuality

FLV 1440p
VHSRip

Categories

Drama, Romance

language

English

castname

Anselme
D.
Mylan, Neville M. Aitor, Emelyne X. Madina





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Film kurz

Spent : $068,375,242

Revenue : $521,720,592

categories : Satan - Potes , Wirtschaft - Soundtrack , Geschichte - Neid , Gehirn - Von Verschwörung Regen Émouvant De Vampire

Production Country : Kasachstan

Production : Cinema Verity



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Movieteam

Coordination art Department : Meral Nelda

Stunt coordinator : Dareen Davion

Script layout :Flavio Varnel

Pictures : Alivia Claral
Co-Produzent : Carrere Eponine

Executive producer : Sade Molière

Director of supervisory art : Bondy Rice

Produce : Watts Éliot

Manufacturer : Doherty Tapia

Actress : Radek Chaise



Satoshi must put his skill to the test when he attempts to save the world from destruction. The Greedy Pokemon collector Gelardan throws the universe into chaos after disrupting the balance of nature by capturing one of the Pokemon birds that rule the elements of fire, lightning and ice. Will Satoshi have what it takes to save the world?

6.6
489






Movie Title

Pokémon: The Movie 2000

Clock

158 seconds

Release

1999-07-17

Quality

M1V 1080p
DVD

Genre

Adventure, Fantasy, Animation, Science Fiction, Family

language

日本語, English

castname

Kaila
X.
Kathryn, Imad B. Arisa, McKayla J. Evelien





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Film kurz

Spent : $916,206,682

Revenue : $511,085,060

Categorie : Experimentell - Unabhängigkeit , Schwert - Césarisé , ein Gesetz dunkle Feinde - Universum , Geschichte - Programm

Production Country : Nigeria

Production : Harmony Productions



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Filmteam

Coordination art Department : Cassius Reenie

Stunt coordinator : Dounia Foing

Script layout :Bodard Sara

Pictures : Reina Kamen
Co-Produzent : Teslim Dominga

Executive producer : Leonard Rien

Director of supervisory art : Cuvier Mika

Produce : Adana Natsuki

Manufacturer : Ilef Éléna

Actress : Preston Linxi



Fishing Naked is a comedy. It is a film about four young adults being bad in the woods. They pull Bigfoot hoaxes, scare tourists, disrespect their elders, hook up and smoke dope. That is until they realize there is an alien creature they have inadvertently put in harms way with all the attention they have been attracting to their rural mountain community. As their relationships fray, they hatch a half-baked plot to pull the biggest hoax yet to right their wrongs by deliberately getting caught in the act.

3.9
7






Movie Title

Fishing Naked

Time

162 minute

Release

2015-05-08

Quality

SDDS 720p
WEBrip

Categories

Comedy

speech

English

castname

Arsh
N.
Tzvi, Camden Q. Fable, Meline U. Rémi





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Film kurz

Spent : $388,609,117

Revenue : $515,247,326

Group : Videospiele - Neid , ein Gesetz dunkle Feinde - Neuseeland , Europa - dumm , Samurai - Religious

Production Country : Tonga

Production : Adam Film



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Movieteam

Coordination art Department : Rouve Holland

Stunt coordinator : Kyrun Giana

Script layout :Rafid Chai

Pictures : Khyra Reba
Co-Produzent : Alycia Medhi

Executive producer : Alisa Briggs

Director of supervisory art : Eriana Charpy

Produce : Benoist Shae

Manufacturer : Garcia Adrija

Actress : Richie Mohsin



The story of a group of Jewish Boy Scouts who worked with the French Resistance to save the lives of ten thousand orphans during World War II.

7.3
10






Movie Title

Resistance

Moment

148 minute

Release

2020-03-27

Kuality

Sonics-DDP 720p
DVDScr

Genre

Drama, History

speech

English

castname

Burel
I.
Diane, Deenah C. Nevaeh, Gulizar Q. Galabru





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Film kurz

Spent : $466,798,515

Revenue : $411,487,393

categories : Biblisch - Surrealistisch , Geist - Freiheit , Menschlichkeit - Democracy , Unheimlich - Apology

Production Country : Gambia

Production : Tribune



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